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All prints and giclées can be bought (unless Sold Out) from their respective description pages. When buying prints directly from the artist, the ‘Buy Now’ buttons will take you through to
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To view original paintings for sale, go to the ‘Paintings’ section of this site.
Ltd. Edition screenprints are on Arches 300gsm 100% cotton rag.
Ltd. Edition giclées are all on 265gsm 100% cotton rag.
5 Sids
date : 2019size : 31” x 23”
medium : giclée.
edition : 40 signed, titled and numbered by the artist
paper : Hahnemuhle 265gsm 100% cotton rag.
price : £400
postage : free worldwide.
notes : An archive work, this edition is released to commemorate the 40th. anniversary of the untimely demise of Sid Vicious.
comment: “I drew these at the time as events unfolded, at a much younger age. Then, at 20 I had the cheek to show them to Jamie Reid, who quipped “They're better than the ones I done!” ”.
5 Sids
Anachronism In The UK
date : 2019size : 31” x 23”
medium : giclée
edition : 40 signed, titled and numbered by the artist
paper : Hahnemuhle 265gsm 100% cotton rag
price : £400
postage : free worldwide postage.
notes : An adaptation of Brian's earlier ‘Skullface’ image, which was produced for Voodoo in Liverpool. This version was used in ‘The Great Frock and Robe Swindle’ newspaper.
comment: I love black and white halftone imagery.
Anachronism In The UK
The Gypsy King
date : 2019size : 31” x 23”
medium : giclée
edition : 40 signed, titled and numbered by the artist
paper : Hahnemuhle 265gsm 100% cotton rag
price : £400
postage : Free worldwide postage.
notes : Brian's depiction of British heavyweight boxer, Tyson Fury.
comment: “The Gypsy King - I'm sure he'd be a nice fella to have a pint with”.
The Gypsy King
Mr Benn
date : 2014size : 16½” x 11¾”
medium : giclée and watercolour.
edition : 10 signed numbered and titled by the artist
paper : Hahnemuhle 265gm 100% cotton rag.
price : £350
notes : This image was produced by the artist as a celebration of the life of Tony Benn. It is now released posthumously as a tribute to the late politician. Published as a Limited Edition of just 10, each print has been hand-finished with watercolour by Brian.
comment: “The original painting and collage was completed in early 2013; I put it aside whilst working on other projects. It then took months to get the proofing right, in which time he unfortunately fell-off the perch. A politician with conviction and integrity? A rarity these days which ought to be celebrated.”
Mr Benn
Tears of a Crown
date : 2016size : 19” x 13.1”
medium : Giclée and collaged teardrop.
edition : 15, signed numbered and titled by the artist
paper : Bockingford 190g 100% cotton rag
price : £350
postage : £6 UK : £8 Eur : £10 USA / Can / Aus. Please ask for cost to other areas.
Tears of a Crown
Pistols Pop n Dada
date : 2012medium : giclée.
edition : 33 signed numbered and titled by the artist.
paper : Hahnemuhle 265gm 100% cotton rag.
price : £350
notes : A secret history tracing the development of what was to manifest itself as ‘Punk graphics’ in late twentieth century Britain, back through Pop Art, John Heartfield, and ultimately to Dada.
The work is a psychogeographical journey through place, person, and time, to a soundtrack of bombs, Be-Bop, and Beat, complete with lines of influence, development lines, and secret passages. It is equally an overview of one hundred years of montage and collage. The legend in the lower left corner alludes to the S.I. exhibition held at the I.C.A. (London) in 1989.
comment : “I've had this piece in my head for years; the information is based on the research that I did for an (as yet) unpublished book of the same name. Then I got invited to make a map for the ‘Maps Only’ exhibition in San Francisco. A map? Perfect opportunity to develop the idea and matured sketch. Every path, dot, and name-plate were cut and placed by hand. It felt appropriate to use collage for the original piece in honour of all those names that history has forgotten. A map, a journey, a timeline, a tree of life (or family), a web, an interpretation, a circuit board, an imaginary city, my theory.”
Pistols Pop n Dada
Nelson Mandala
date : 2013size : 23” x 23”
medium : giclée
edition : 33 titled, signed and numbered
paper : Hahnemuhle 265gsm 100% cotton rag
price : £350
postage : free
Nelson Mandala
Brokeback Britain (pink)
date : 2010size : 31” x 23”
medium : giclée
edition : 15 signed, titled and numbered by the artist
paper : Hahnemuhle 265gsm 100% cotton rag
price : £400
notes : A witty image in which Jones' artistic expression captures the political zeitgeist of Britain's first post-war coalition government. 21st. century satire in the tradition of Hogarth and Swift.
comment : “Vivienne Westwood originally borrowed the cowboys from Tom of Finland, and I borrowed them from her.”
Brokeback Britain (pink)
(£iving in a) ConDem Nation
date : 2011size : 31” x 23”
medium : giclée.
edition : 25 signed titled and numbered by the artist
paper : Hahnemuhle 265gsm 100% cotton rag.
price : £350
postage : £6 UK : £8 Eur : £10 USA / Can / Aus. Please ask for cost to other areas.
notes : In the words of the artist, “Cut everything and there'll be nothing left”.
(£iving in a) ConDem Nation
Brokeback Britain (black)
date : 2010size : 31” x 23”
medium : giclée
edition : 15 signed, titled and numbered by the artist
paper : Hahnemuhle 265gsm 100% cotton rag
price : £350
notes : A witty image in which Jones' artistic expression captures the political zeitgeist of Britain's first post-war coalition government. 21st. century satire in the tradition of Hogarth and Swift.
comment : “Vivienne Westwood originally borrowed the cowboys from Tom of Finland, and I borrowed them from her.”
Brokeback Britain (black)
Pin-up
date : 2009size : 31” x 23”
medium : giclée.
edition : 33 signed, numbered and titled by the artist
paper : 265gsm 100% cotton rag.
price : £350
notes : Over the years, Jones has produced several of his ‘Technotica’ images; ‘Pin-up’ is his first to be published as a Limited Edition print.
Pin-up
Eyeless on Gaza
date : 2010size : 26½” x 11½”
medium : giclée
edition : 15 signed, titled and numbered by the artist
paper : Hahnemuhle 265gsm 100% cotton rag
price : £350
notes : A simple yet effective image which conveys the artist's thoughts on the Gaza situation. The title paraphrases Aldous Huxley and John Milton; in Milton's ‘Samson Agonistes’ there is a single case of blindness: when it comes to modern-day Gaza, many more appear to be affected by ‘blindness’.
Eyeless on Gaza
Satori of Sofia
date : 2006size : 31” x 23”
medium : giclée.
edition : 25 signed, numbered and dated by the artist.
paper : 265 gsm 100% acid-free rag.
price : £350
notes : Strictly Limited Edition of the second in Jones' series of ‘Cities’, this one focuses on the Bulgarian capital, Sofia.
Satori of Sofia
Babylondon
date : 2005size : 31” x 23”
medium : giclée.
edition : 75
paper : 265gsm 100% acid free rag.
price : £350
notes : Inspired by the works of Blake, Schwitters, and Heartfield, twisted through Pop, and subverted by Punk, a major comment on Britain's capital by Brian Jones. This collage-based survey proclaims ‘another England’ and heralds a new Pop Art. The work also features two verses from William Blake's ‘London’ poem, comprising the ransom note border.
Babylondon
People of Berlin...
date : 2008size : 31” x 23”
medium : giclée.
edition : 33 signed & numbered
paper : Hannemuhle 265gsm 100% cotton rag.
price : £350
notes : Third image in the artist's cities series, sees Jones cast his acerbic eye over the history of Berlin, from the burning of the Reichstag through re-unification and the wrapping of the Reichstag. JFK is represented with a ‘doughnut halo’, echoing his mis-translated quote “Ich bin ein Berliner” / “I am a doughnut”, which comprises the border along with images of Berliner doughnuts.
People of Berlin...
Chelvis
date : 2006size : 22½” x 30½”
medium : screenprint.
edition : 33
paper : Arches.
price : £400
notes : Limited-edition screen print of the striking ‘Chelvis’ image, which fuses the iconic Che Guevara image with the instantly recognizable face of Elvis Presley. Each print, hand-rendered by the artist, is based on Jones’ oil painting by the same title which sold at the ‘rude and ill-bred’ exhibition in Brighton. Each print in this edition is slightly different, making “every one an original”…
Chelvis
Norma Queen
date : 2002size : 35” x 16½”
medium : giclée.
edition : 25
paper : .
price : £350
notes : This gicléed edition, from the original single collage, was produced for the ‘Vive La Republique’ anti-golden jubilee show at the Centre of Attention, London. The image was selected by the London Evening Standard ‘Hot Tickets’ to promote the exhibition. Produced in 2002, but only released in 2004, this piece is already in the collections of noteable pop stars and djs.
Norma Queen
Your Planet (SOLD OUT)
date : 2005size : 17¼” x 11¾”
medium : lithograph.
edition : 91 signed & no.'d
paper : .
price : £150
notes : Another classic image from the increasingly popular Brian Jones, who has subverted the famous WWI army recruitment poster, in his bold and distinctive style.
Your Planet (SOLD OUT)
The Birth of Rock’n’Roll
date : 2008size : 31” x 23”
medium : giclée.
edition : signed Limited Edition of 33
paper : Hannemuhle 265gsm 100% cotton rag .
price : £350
notes : This colour companion to ‘The Rickenbacker Venus’, which also employs the classic Sun logo and John Lennon’s guitar as part of the composition, combines powerful cultural references which resonate down the ages.
The Birth of Rock’n’Roll
The Boy King (SOLD OUT)
date : 2004size : 14” x 16”
medium : giclée.
edition : 18
paper : .
price : SOLD OUT
notes : Graphic featuring footballer, Wayne Rooney, as the original ‘Boy King’, Elvis Presley. From a giclée edition of only 18.
The Boy King (SOLD OUT)
Rickenbacker Venus (SOLD OUT)
date : 2007size : 31” x 23”
medium : giclée
edition : 9
paper : 265gsm Hahnemuhle 100% cotton rag.
price : £250
notes : This dark blue beauty sees Jones combine Botticelli’s Venus complete with electric guitar, and the Sun Records logo. From a strict Limited Edition of just nine, numbered, titled and signed by the artist. Another classic image from the Brian Jones repertoire.
(SOLD OUT)
Rickenbacker Venus (SOLD OUT)
The Withdrawal Method
date : 2008size : 30½” x 22½”
medium : screenprint
edition : 25 signed and numbered
paper : Arches
price : £350
notes : Fourth (and hopefully the last) in Brian's ‘Future History’ anti-war series of prints, this work looks at the best option currently available to ‘bolliticians’. “When in doubt, pull 'em out!” as he so laconically puts it.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only twenty five.
The Withdrawal Method
The Idiot Son
date : 2003size : 23” x 31”
medium : giclée.
edition : 25 signed & no.'d
paper : .
price : £350
notes : Striking transatlantic companion to the iConic ‘Blairman Mao’, showing the wit, satire, and acute observations of Jones.
The Idiot Son
Shoulder To Shoulder
date : 2006size : 43½” x 32½”
medium : screenprint.
edition : 25 signed & numbered.
paper : Arches.
price : £350
notes : Third in the on-going series of his ‘future history’ stamp prints, which capture the political zeitgeist. This work was inspired by Asian Dub Foundation's track ‘Oil’. Loathe them or love, or love them or LOATHE them, both Bush and Blair's time in office will be defined by their actions in the Middle East; the consequences will reverberate long into our future.
From a Limited Edition of 33, signed, numbered and dated by the artist.
Shoulder To Shoulder
Blairman Mao
date : 2002size : 30½” x 22½”
medium : screenprint.
edition : 50
paper : Arches.
price : £350
notes : A classic piece of contemporary ‘Pop Art’, by rising ‘New Pop’ / Punk artist Brian Jones, which has political resonance with the works of John Heartfield and George Grosz.
This image has featured in the British Council touring exhibition ‘Upfront and Personal : Three Decades of UK Political Graphics’, on BBC Northern Ireland, and the ‘Pax Britannica’ anti-war exhibition at London’s Aquarium Gallery, where it hung, literally, next to works by Richard Hamilton and Jamie Reid.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only fifty.
Blairman Mao
Squaring The Circle
date : 2006size : 31” x 23”
medium : giclée.
edition : 33 signed & numbered.
paper : 265 gsm Hahnemule cotton rag.
price : £350
notes : Second in the series of new prints based on paintings, this work playfully twists the draughtsman's conundrum with the vernacular ‘mod’ target.
From a Limited Edition of 33, signed, numbered and dated by the artist.
Squaring The Circle
Zielscheibe
date : 2008size : 31” x 23”
medium : giclée.
edition : 25 signed & numbered
paper : Hannemuhle 265gsm 100% cotton rag.
price : £350
postage : £6 UK : £8 Eur : £10 USA / Can / Aus. Please ask for cost to other areas.
notes : Based on the painting by the same name, Jones applies the colours of the Deutsch/ German flag to an ‘iConic’ British motif.
Zielscheibe
Arc of the Covenant
date : 2006size : 31” x 23”
medium : giclée.
edition : 33 signed & numbered.
paper : 265 gsm Hahnemule cotton rag.
price : £350
notes : First in the series of new prints based on oil paintings, produced in Summer 2006. A recurring theme in Jones' works, the red, white and blue motif is part of the artist's on-going questioning of everything hip, fab, groovy and British.
From a Limited Edition of 33, signed, numbered and dated by the artist.
Arc of the Covenant
If You See Kay
date : 2005size : 31” x 23”
medium : giclée.
edition : 50
paper : 265gsm 100% cotton rag.
price : £350
notes : New Pop for old… wittily titled ‘If You See Kay’, Jones takes ‘Love’ into the 21st Century, with his cutting yet humourous re-working of and old Pop chestnut. From an edition of only 50, signed, numbered, dated, and titled by the artist.
If You See Kay
Portrait of the Artist as a Young Dog
date : 2008size : 31” x 23”
medium : giclée.
edition : signed Limited Edition of 33
paper : Hannemuhle 265gsm 100% cotton rag .
price : £350
notes : based on his pre-millennial painting by the same title, which in turn was based upon the Dylan Thomas book (of the same title), which itself was based upon James Joyce’s ‘Portrait of the Artist as a Young Man’, in this literary tour-de-force, Jones finally lets the dog out. Grrrrrr!. postage : £6 UK : £8 Eur : £10 USA / Can / Aus. Please ask for cost to other areas.
notes : based on his pre-millennial painting by the same title, which in turn was based upon the Dylan Thomas book (of the same title), which itself was based upon James Joyce’s ‘Portrait of the Artist as a Young Man’, in this literary tour-de-force, Jones finally lets the dog out. Grrrrrr!.
Portrait of the Artist as a Young Dog
If You See Kay (b&w)
date : 2005size : 31” x 23”
medium : giclée.
edition : 15
paper : 265gsm 100% cotton rag.
price : £350
notes : Black version, from a signed, numbered, titled and dated edition of only 15. No stranger to controversy, or ‘freedom of speech’ if you prefer, nothing is sacred to Jones' piercing eye.
If You See Kay (b&w)
Madollar (black)
date : 2003size : 30½” x 22½”
medium : screenprint.
edition : 75
paper : Arches.
price : £350
notes : A stunning print, depicting Madonna in her guise as the ‘Queen of Pop’, on a $1 bill. This image was first seen in Esquire Magazine; it has since featured in the Liverpool Biennial of Contemporary Art, and the artist’s ‘iCons’ shows.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only seventy five.
Madollar (black)
Pop Art Politician
date : 2005size : 23” x 31”
medium : giclée.
edition : 25 signed & no.'d
paper : .
price : £350
notes : Based on the original collage, due to public demand released in Summer '05, as a signed and numbered Ltd. Edition giclée in an edition of just 25.
Pop Art Politician
Madollar (pink) (SOLD OUT)
date : 2003size : 30½” x 22½”
medium : screenprint.
edition : 25
paper : Arches.
price : SOLD OUT
notes : Also titled ‘Madollar’, and featuring Mrs.Ritchie as the ‘Queen of Pop’ on a $1 bill, this pink version is from a smaller edition, and is another of Jones’ commercial images.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only twenty five.
Madollar (pink) (SOLD OUT)
3 x Truth
date : 2005size : 17¼” x 11½”
medium : lithograph.
edition : 84 signed & no.'d
paper : .
price : SOLD OUT
notes : Trilingual meditative piece, produced in Bulgaria during Jones' visit in Summer 2005.
3 x Truth
Wanted Warhol
date : 2004size : 30½” x 22½”
medium : screenprint.
edition : 75
paper : Arches.
price : £350
notes : Portraying fellow Pop Artist Andy Warhol as wanted dead or alive for ‘Crimes Against Art’, this image looks set to become a sought-after item in the future.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only seventy five..
Wanted Warhol
Four Poppies
date : 2006size : 31” x 23”
medium : giclée.
edition : 33 signed & numbered.
paper : 265 gsm Hahnemule cotton rag.
price : £350
notes : A semi-abstracted design based on photographs taken by Jones of the oriental poppies which grow in his garden. In 2004 the poppies flowered three times in one year. In addition to expressing his concerns about the environment, rather poignantly, Jones decided to make these available to express his sadness at never meeting either of his great-grandfathers, both of whom fell in the Great War. The futility of war and global warming conveyed through ‘iConic’ pop art flowers.
From a Limited Edition of 33 signed, numbered and dated by the artist.
Four Poppies
The Scream
date : 2005size : 20” x 13”
medium : woodcut.
edition : 25 signed & no.'d
paper : .
price : £350
notes : Limited edition woodcut, hand rendered by the artist on Arches. A classic re-interpretation by one of Britain's most important emerging artists.
The Scream
Beatles Horrorshow
date : 2005size : 13” x 8”
medium : screenprint.
edition : 75
paper : Arches 88
price : £350
notes : Three colour distortion of the Fab Four’s clean-cut image; darkly psychedelic.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only seventy five.
Beatles Horrorshow
Fuck Dance...
date : 2005size : 6” x 4”
medium : screenprint.
edition : 25
paper : Arches.
price : £100
notes : One of a series of miniature screenprints produced by Brian Jones.
Hand-rendered by the artist on Arches 88 300gsm, 100% cotton fibre paper with deckled edges, from a signed, numbered, dated, and titled Limited Edition of only twenty five.